A violinist interprets Berg’s concerto when she plays it. When I hammer in this hook, I am interpreting the wall in the key of hammer. And the hammer relates to the wall, which relates to my house, which relates to the street, which relates to the drains and so on.....is there no way to stop the explosiveness of this context?
Why, no.
- Tim Morton, Being Ecological, 2018
A violinist interprets Berg’s concerto when she plays it. When I hammer in this hook, I am interpreting the wall in the key of hammer. And the hammer relates to the wall, which relates to my house, which relates to the street, which relates to the drains and so on.....is there no way to stop the explosiveness of this context?
Why, no.
- Tim Morton, Being Ecological, 2018